Both men are worthy headliners, but the easy vibe of two friends sharing a stage makes for a truly incomparable evening. There is no cause for suspicions about reserving Holloway Gymnasium, Kohl Center and Stoughton Opera House seats or getting cheapest Stoughton Lyle Lovett 2016. There is very little "show-biz" about Lovett or Keen, no matter how many movies Lovett appears in or how dramatic Keen's combo of suit and hat look on stage. Her latest solo release is Under the Pepper Tree, an album of lullabies. Coupled with his gift for storytelling, the Texas-based musician fuses elements of country, swing, jazz, folk, gospel and blues in a convention-defying manner that breaks down barriers. Mandy Moore, Kris Kristofferson, Lyle Lovett and Father John Misty, to boot. Although their careers have taken both Lovett and Keen far from home, the college friendship forged in the ‘70s remains, palpable as they sit together on stage cracking jokes, swapping stories, and delivering songs of Cadillac cowboys, family spats, and love gone awry. A singer, composer and actor, Lyle Lovett has broadened the definition of American music in a career that spans 14 albums. Robert Earl Keen struck an unusual balance between sensitive story-portraits and raucous barroom fun, unified by a mordant sense of humor that strongly influenced the early practitioners of what would become known as alternative country music. Lyle Lovett was one of the most distinctive and original singer/songwriters to emerge during the '80s, combining a talent for incisive, witty lyrical detail with an eclectic array of music, ranging from country and folk to big-band swing and traditional pop.
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